At the age of 44, the veteran from Queensbridge, New York has been a staple in hip hop culture for well over a decade, ever since making his debut at 17 on Main Source’s Live At The Barbeque. Basically, they’re staying relevant – by keeping their day one fans interested while also picking up new listeners along the way. When Chicago’s drill-rap phenomenon Chief Keef burst onto the scene with I Don’t Like, and then the follow up Love Sosa, he was all music bloggers could talk about. The African Americans and Latino Americans that were left behind in cities (or who moved to the cities in the intervening years) encountered many challenges in their neighborhoods, as budgets were slashed and resources diverted to the wealth… Sure a lot of it sucks ass, but there’s some really great hip hop … Features Lists Do Androids Dance. Old school rappers began the hip hop movement, encouraged it to thrive in communities and passed the torch to the Millenials to continue the artistic movement they started. While the aforementioned entries on this list were important (especially the producers and beats entries), the main reason that 90’s hip-hop is the best really boils down to the fact that the emcees that were around back then were just straight up amazing. That lead to consequences like the FBI following rappers like Tupac Shakur and the Notorious BIG, to the point that they were trailing both when they were murdered (yet somehow didn’t intervene or provide any useful information to the police that were investigating those deaths). An it's bassically rubbing it in their fans face that they are living a better life then their fans. Today’s rappers really only discuss like five things (women, money, drugs, parties, guns) and while 90’s rappers also covered those topics, they had a much more diverse range and that’s another reason why it was the best era. Whether that was due to him being reckless or racial profiling is up for debate, but in the end it was stopping him from fulfilling his potential. It's aggravating. Beyond that, there were actual “Hip Hop Cops” in cities like New York, that investigated the rappers connection to the gun and drug trade as well as their connection to organized crime. Beyond that, you had groups like NWA and especially Public Enemy, that rapped about real issues. The Hollywood movie The Founder told the awesome rags-to-riches-by-way-of-backstabbing story of McDonald’s restaurants. ‘old school’ hip hop developed in the early 1970s inspired by funk music, which soon afterwards turned into disco fever after influencing the hip hop fraternity. It may be blasphemy to not give Slick Rick credit for being the best storyteller in the game, especially considering that his classic album The Art of Story Telling was released in the 90’s, one of the main difference between what 80’s and 90’s rappers were doing in terms of storytelling is/was the content of those stories. Variety: There’s hip hop all over the place. If you go to any rap video on YouTube and check the comments you’ll eventually run into a comment (or 500) that states that whichever rapper whose video you’re watching/listening to “wouldn’t exist if Tupac/Biggie was still alive” and while that’s probably a mix between hyperbole and wishful thinking, those people have a point. Since the late 1970s, when the culture and music was taking form, there was something unique about the beats and … Hip-hop encompasses everything from dance and fashion to music. But the harsh reality is the quality of modern day hip hop (if we can even call it that) has dropped severely since entering the millennium. Rock started earlier than Hip Hop. An interesting debate was sparked last year when up-and-coming West Coast emcee Vince Staples commented on some earlier comments he made to Time magazine about his views on 90s Hip Hop. I was kinda depressed back then, thought everybody hates me and so on. Old school dance includes popping, locking, and break-dance became common among black dancers. I can confidently say that at least two-thirds of them are still touring and dropping LPs (although not to the same record breaking success as their heyday). There are obvious exceptions to that, like Kendrick Lamar, but you only have to look at his mentor to see why he’s able to really ignore the flavor of the month stuff and focus on his craft. Hip-hop is a passport from a present oppressive state into a world where we are all significant. [ooyala code=”VrbzJvYzE6dSG_sUqSQuc0LuFiTswviL” player_id=”5df2ff5a35d24237905833bd032cd5d8″ auto=”true” width=”1920″ height=”1080″ pcode=”twa2oyOnjiGwU8-cvdRQbrVTiR2l”]. But the erasure of these acts from hip-hop’s earliest era on wax -- and the stigma of “old-school hip-hop” as a blanket term -- has hurt hip-hop’s canonization. The best example of that is The Wu-Tang Clan, which debuted with one of the best albums (hip-hop or otherwise) of all-time with 36 Chambers. The very thing that’s happening with hip-hop right now is what disco did, and Melle Mel came out and made a record; ‘The Message’.” “Right now, we need a 17, 19-year-old individual to make ‘The Message’, to shut down all the nonsense that we’re celebrating.” shut the fuck up retard. You could argue that I’m being too nostalgic, I’m living in the past, or the always classic ‘you’re just too old!’. 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