It was a particularly troubling, immersive situation where several temporalities coexisted and intersected. 10 See Couchot, Edmond. It represents a space in theater from the static and limited performing stage to the porous open space that the audience inhabits but also makes the stage an alternative space on the boundaries aiming to transform the offstage space. When artificial humans intervene in aesthetic reception, our tendency is to seek in them experiences that resonate in us. Aesthetic definition, relating to the philosophy of aesthetics; concerned with notions such as the beautiful and the ugly. They see, hear, touch, and move by means of sensors and virtual actuators. Radbourne and Johanson explain in their study The Audience Experience: Measuring Quality in the Performing Arts that audiences will be fiercely loyal if they can experience fulfillment and realization in the arts experience. Raison et plaisir. “Interacting with an Intelligent Dancing Figure: Artistic Experiments at the Crossroads between Art and Cognitive Science,”. The Pragmatic Theory. Mienczakowski discusses that in theater, the use of performance constructs and conventions in the interpretation which includes emotive, physical, and, at times, confronting approaches to explaining or interpreting the experiences of ‘the other’. I myself felt this impression quite strongly at a moment during a performance when an unforeseen event occurred. Audience is a group of people who participate in a show or encounter a work of art and in theater (encyclopedia.thefree.dictionary). Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Thus it is possible to program anthropomorphic virtual beings or beings assembled out of concrete materials, endowing them with cognitive abilities that approach those of humans, such as a multimodal perception of the world, learning through trial and error, recognizing artificial or natural shapes (such as faces), the development of an associative memory, decision-making followed by action, intentionality, inventiveness, the creation of new information, the simulation of emotions and empathy, and social behavior. The actors on the stage has performed the characters they portrayed in theater has always significant effect on their personal experience or the opposite. Dead Poet's Society: Significant Experiences; The Twists of Life. That which excites or moves us in the art is also complex, culturally situated, and escaping definition through words. These avatars can also be directed by their users, but then their movements no longer correspond exactly to what the user does. Thanks to these algorithms, computers became capable of autoprogramming themselves thus acquiring a certain autonomy. Paris: Hermann, 2012. Æsthetik. This volume presents for the first time in English the foundational writings of the leading proponent of the aesthetic of reception. The idea of this theory assumes that a literary work is beautiful and pleasurable since aesthetics deals with art, and taste, and with the creation and appreciation of beauty (Raben, 2010). Although it is impossible to predict the specific uses for which they will be designed, we can expect that they will be principally intended to entirely or partially replace humans in dangerous or difficult situations, or in hostile locations (military and nuclear applications are the subject of considerable attention). Vol. Thus, they felt mechanical gestures on their bodies, full of intent directly communicated to their sensorimotor systems. Man expresses his emotions through different ways and tends to be storytelling of his life since it is where man finds belongingness when others pay attention of his own drama. Theater is a branch of the performing arts, any performance may be considered theater; however, as a performing art, theater focuses almost exclusively on live performers creating a self-contained drama (Longman Dictionary). For this philosopher, a machine’s level of advancement does not correspond to its increase in automatism, but on the contrary, to the fact that its functioning contains a certain “margin of indeterminacy.” 2 With an abundance of this quality, for him computers are not “pure automatons,” but “technical beings” endowed with a certain openness and able to perform very different tasks. 2. Aesthetic experience in theater is experienced in two ways; the experience of the performer or the actor and the experience of the audience. 28 See Couchot, Edmond. Specifically, it looks into the following: 1. the performance of the actors on stage; 1. The difference between autonomous robots themselves lies essentially in two parameters: their level of autonomy and their field of action. They are comparable to puppets that the puppeteer guides with strings. Aesthetics is the study of beauty and taste, whether in the form of the comic, the tragic, or the sublime. Autonomy in avatars appears in the category of “autonomous actors,” endowed with behaviors that allow them to act in a relatively autonomous way in order to accomplish their tasks.
2020 aesthetic perception in theatre